- What do the timeframes of the camera actually look like? If you have a manual
film camera, open the camera back (make sure there’s no film in the camera
first!) and look through the shutter as you press the shutter release. What is the
shortest duration in which your eyes can perceive a recognisable image in bright
daylight? Describe the experiment in your learning log.
- Find a good viewpoint, perhaps fairly high up (an upstairs window might do)
where you can see a wide view or panorama. Start by looking at the things
closest to you in the foreground. Then pay attention to the details in the middle
distance and, finally, the things towards the horizon. Now try and see the whole
landscape together, from the foreground to horizon (you can move your eyes).
Include the sky in your observation and try to see the whole visual field together,
all in movement (there is always some movement). When you’ve got it, raise your
camera and take a picture. Add the picture and a description of the process to
your learning log.
- Unfortunately the only film camera I have is a Nikon EM, which is an aperture priority semi automatic 35mm film camera. With the back open the shutter speed automatically defaults to 1/1000 sec and all that can be perceived is a brief flash of light. The only other speed settings are bulb (shutter stays open as long as the shutter button is depressed) and manual 1/90th sec setting for using a non TTL flash. Even when set to 1/90th sec the flash of light from the shutter is slightly longer but I am still unable to perceive a recognisable image. So the shutter speed would have to be a lot slower for me (personally) to be able to distinguish an identifiable image other than a vague shape. Maybe as slow as 1/2 sec or 1/4 sec. Without having the camera capable of setting these shutter speeds I am making only rough assumptions which for an experiment is not good enough.
2. Looking out of the study window I perceived the:
- flat roof
- telegraph pole & lines
Taking in the whole scene there appears to be some natural framing and negative space. There is no wind so there is no movement in the trees and the clouds also have no distinguishable movement in the bright sky. I listen and hear a car door slam down the close and its motor start. From that I know it must come out of the close in front of me. I raise my camera to focus on the space between the two trees near the entrance to the close. I press my shutter as the car moves through this framing as shown below.
I believe that the purpose of this exercise is to help us to attune ourselves to our surroundings and to gain a level of spacial awareness that helps us to detect and act on movement within our peripheral vision. But for me it is not just sight but sound (as in the sound of the car, or people talking, sound of the wind in the trees etc.) and a level of gut feeling. All this Henri Cartier-Bresson called luck, but for me he was a man with amazing spacial awareness and sensitivity to his surroundings that borders on a 6th sense.
A link to my handwritten notes on my opinion of the Decisive Moment is below: