Assignment three The decisive moment
Send a set of between six and eight high-quality photographic prints on the theme of the ‘decisive moment’ to your tutor. Street photography is the traditional subject of the decisive moment, but it doesn’t have to be. Landscape may also have a decisive moment of weather, season or time of day. A building may have a decisive moment when human activity and light combine to present a ‘peak’ visual moment.
You may choose to create imagery that supports the tradition of the ‘decisive moment’, or you may choose to question or invert the concept. Your aim isn’t to tell a story, but in order to work naturally as a series there should be a linking theme, whether it’s a location, an event or a particular period of time.
Submit assignment notes of between 500 and 1,000 words with your series.
Introduce your subject and describe your ‘process’ – your way of working. Then
briefly state how you think each image relates to the concept of the decisive
moment. This will be a personal response as there are no right or wrong answers in a visual arts course. You’ll find it useful to explore the photographers and works referenced in Project 3, if you haven’t already done so. Don’t forget to use Harvard referencing.
Post your prints, no larger than A4, to your tutor together with your assignment notes.
Reasoning for submission of photographic prints for assignment 3:
The OCA strongly encourages students to submit a print submission for assessment (this is mandatory in Levels 2 and 3). Sharing some prints with your tutor half way through the module is an opportunity to get feedback on print quality. If you’re hard pressed to submit the prints you don’t have to send the whole assignment, you can send a selection and submit the rest of the series via blog or in the usual way that you’ve agreed with your tutor.