Assignment 2 Feedback

Tutor feedback for Assignment 2 – ‘Collecting‘ below:

EYV2_Perry_Tatman

I am glad that my tutor thinks that this project has potential. There are potentially 3 or 4 threads I could expand on or distil from the images that I have taken to create a more meaningful body of work. As my tutor advises this may involve another station shoot to nail it.

She point to my difficulty with completing some exercises. I do find is hard sometimes to ‘marry up thought with deed‘ with regard to the given exercises. The problem children in this part of the unit involved people images, and my wife wasn’t willing to be my stooge! However these exercises are not forgotten and will be completed by the end of EYV.

I have tried to make it to OCA Study Visits and also some visits of my own. I still need to write up a couple of these up. I have also been going to the Thames Valley group meetings, and found them to be very inspiring and motivating.

My tutor is also right in that I should keep notebooks for ideas and potential projects. My handwriting is awful, but I will try and make a better effort to keep visual notes; doodles, drawings, mind maps, lists etc. These I can then scan or take pictures of to add to my Learning Log, along with some more reflective content as to how I feel and develop as I progress.

She was also kind enough to provided me with a very comprehensive reading list to help me further this project:

  • Many Are Called by Walker Evans
  • Compression Tokyo by Michael Wolf
  • Subway Commuters by Bruce Dickinson
  • Simon Terrill is an artist interested in crowd theory
  • Priests by Giacomelli
  • Non-Place by Marc Auge

I need to progress with Part three, but I will try my best to review and improve this project towards a more conclusive end. My camera club has its annual exhibition in May and I intend to submit a Theme Print Panel based on this project.

 

The Radical Eye – Tate Modern 11th March 2017

On my birthday I went to London to visit ‘The Radical Eye’. This is the showing of an assembly of Modernist Photography from the Sir Elton John Collection at the Tate Modern (10th Nov 2016 – 7th May 2017).

The entrance is dominated by a large scale reproduction of the Man Ray image ‘Glass Tears’ and the exhibition is divided into 6 areas:

  • The Radical Eye
  • Portraits
  • Portraits / Experiments / Bodies
  • Exhibition Film
  • Documents
  • Objects / Perspectives / Abstraction

The exhibition is made up of over 175 images spanning the first half of the 20th Century, taken from Elton John’s world class collection of over 8000 photographs. The exhibited images are the work of almost seventy of the key photographers of that time.

Among these photographers are some of the works of:

  • Man Ray
  • Irving Penn
  • Dorothea Lang
  • Walker Evans
  • Margaret Bourke-White
  • Henri Cartier-Bresson
  • Edward Steichen
  • Helen Levit

I was struck by the framing of the photographs, though beautifully mounted the fames could be thought by some to be gaudy. However, when you realise that these paintings came straight off the walls of Elton John’s apartment you begin to realise they fit their hanging environment. I prefer the idea that they come from a home, are on display and loved, rather than stuck in boxed archives.

I enjoyed the exhibition and was very taken by a series of corner portrait images by Irving Penn taken in 1948, which were very striking. In particular, those taken of; Spencer Tracy, Noel Coward, Duke Ellington and the boxer Joe Louis.

Overall the exhibition presents a good cross section of photographs from some of the leading protagonists of the Modernist Photography movement.