Project 1: The distorting lens – Exercise 2.7

Exercise 2.7
Use a combination of small apertures and wide lens to take a number of photographs
exploring deep depth of field. Because of the small apertures you’ll be working with
slow shutter speeds and may need to use a tripod or rest the camera on a stable
surface to prevent ‘camera shake’ at low ISOs. Add one or two unedited sequences,
together with relevant shooting data and an indication of your selects, to your
learning log.

Achieving deep depth of field might appear easy compared to the difficulties of
managing shallow depth of field. We’re surrounded by images made with devices
rather than cameras whose short focal lengths and small sensors make it hard
to achieve anything other than deep depth of field. The trick is to include close
foreground elements in focus for an effective deep depth of field image. Foreground
detail also helps to balance the frame, which can easily appear empty in wide shots,
especially in the lower half. When successful, a close viewpoint together with the
dynamic perspective of a wide-angle lens gives the viewer the feeling that they’re
almost inside the scene.

The following images using the above settings all taken using a tripod. The deep depth of field creates an acceptable level of focus from the front of the image to the back of the image.

The foreground elements coupled with the receding elements provide layers giving a sense of depth and 3D quality.

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